GUARDIANS OF THE GALAXY EPIC COLLECTION: QUEST FOR THE SHIELD

GUARDIANS OF THE GALAXY EPIC COLLECTION: QUEST FOR THE SHIELDSeries: Comic Type: ONE SHOT Artistic superstar Jim Valentino revitalizes the original Guardians of the Galaxy! As the Guardians of the Galaxy pursue a cosmic threat named Korvac from the 31st century back to the present day, it will take an awesome assemblage of Avengers to help them save all of reality! Trapped in their past, the Guardians share adventures with Spider Man, the Thing and Ms. Marvel. But can they make their way back home? And if they

Series: Comic Type: ONE-SHOT
Artistic superstar Jim Valentino revitalizes the original Guardians of the Galaxy!As the Guardians of the Galaxy pursue a cosmic threat named Korvac from the 31st century back to the present day, it will take an awesome assemblage of Avengers to help them save all of reality! Trapped in their past, the Guardians share adventures with Spider-Man, the Thing and Ms. Marvel. But can they make their way back home? And if they do, are they ready for…Taserface?! As Major Victory leads the Guardians on a quest to find Captain America’s long-lost shield, their mission pits them against Iron Man's twisted legacy, the marauding alien cyborgs called the Stark and the intergalactic thieves known as Force!COLLECTING: Avengers (1963) 167-168, 170-177, 181; Ms. Marvel (1977) 23; Marvel Team-Up (1972) 86; Marvel Two-in-One (1974) 61-63, 69; Guardians of the Galaxy (1990) 1-6
About Artists & Writers:
Jim Shooter entered the comic-book field at age 14 as writer and penciler of the “Legion of Super-Heroes” feature in Adventure Comics. Later moving to Marvel, he wrote Daredevil, Ghost Rider, Marvel Team-Up, Marvel Two-in-One and other titles. As editor in chief, he tightened Marvel’s publishing schedule; added new titles; nurtured fresh talent; launched the New Universe; and wrote the 12-issue Secret Wars and its sequel, Secret Wars II. Eventually leaving Marvel, Shooter wrote for Valiant, Defiant and Broadway Comics before entering different creative fields at Phobos Entertainment and TGS Inc. Later returning to DC to write Legion of Super-Heroes, he subsequently helped revamp Gold Key heroes at Dark Horse.After beginning his writing career on DC horror titles, David Michelinie moved to Marvel. He and co-writer/inker Bob Layton established Iron Man’s battle with alcoholism, use of specialized armor variants and vendetta against Doctor Doom, as well as other aspects of the character that endure to this day. Michelinie’s unique blend of action, suspense and humor distinguished not only Iron Man, but also Amazing Spider-Man. With artist Todd McFarlane, he introduced the vicious vigilante Venom; he also wrote the first Venom limited series, Lethal Protector. Michelinie’s run as Amazing writer was second in length only to that of Stan Lee himself, while he also authored tie-in titles Spectacular Spider-Man, Web of Spider-Man and Spider-Man. He moved from Marvel’s flagship character to DC’s with a stint on Superman’s Action Comics, later returning to the world of Tony Stark for writing collaborations with Bob Layton on Iron Man: Legacy of Doom and Iron Man: The End.Bill Mantlo began his Marvel career on Deadly Hands of Kung Fu, in which he introduced White Tiger, one of the industry’s earliest Hispanic super heroes. Eventually writing stories for almost every Marvel title, he did some of his most fondly remembered work on Incredible Hulk and Spectacular Spider-Man. He also launched Cloak and Dagger in a pair of miniseries and guided Alpha Flight through some of its most harrowing ordeals. Mantlo excelled at integrating licensed properties into the Marvel Universe, as demonstrated by Micronauts and Rom: Spaceknight, both of which he wrote from start to finish. At DC, he wrote the Invasion miniseries for one of the company’s biggest crossover events.Artist George Pérez made team titles his specialty with runs on Marvel’s Avengers and Fantastic Four, along with DC’s Justice League of America and New Teen Titans, the latter co-created with Marv Wolfman. The pair redefined the DC Universe in Crisis on Infinite Earths. In collaboration with writer Kurt Busiek, he returned to Avengers following the “Heroes Reborn” event. The pair surpassed expectations with JLA/Avengers, a 2003 crossover that featured nearly every member of both long-running teams.After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than one hundred issues and penciled the web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.New Yorker Jim Valentino began his career in the late 1970s creating small press, self-published comics. He served as a storyboard artist for animated features before his work took him to Marvel and titles including What If? and Silver Surfer. His flair for cosmic action made him a natural to both write and draw Guardians of the Galaxy, the first series bearing the name of the titular team. Guardians established Valentino as one of the superstar artists of the early 1990s, leading him to band together with others and form Image Comics, where he introduced his signature creation, ShadowHawk. Valentino served as Image’s publisher, helping establish the company as an enduring major player in the industry.